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KURT RUSSELL RETURNS AS OUTLAW HERO SNAKE PLISSKEN IN THIS THRILL-A-MINUTE SEQUEL TO THE HIT FUTURISTIC ADVENTURE ESCAPE FROM NEW YORK.Kurt Russell reprises his role as Snake Plissken, of the near-future thriller
Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation devi! ce, and Snake is commandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out.
--Jim GayThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in Escape From New York รข" with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell! ). His job: wade through L.A.'s ruined landmarks to retrieve a! doomsda y device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). Escape From L.A. is a "go-for-broke action extravaganza!" (Roger Ebert, Chicago Sun-Times).Kurt Russell reprises his role as Snake Plissken, of the near-future thriller
Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation device, and Snake is co! mmandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out.
--Jim GayNot long ago, Luke and Lizzy Morris dared to spend one day at HorrorLand, the terrifying theme park where nightmares come to life. They thought that NOTHING could lure them back, but their travel plans are about to change....
Who--or WHAT--is summoning ordinary kids to HorrorLand and trapping them there? Luke and Lizzy are det! ermined to find out. They've gathered every clue, and they eve! n launch ed their own secret website at EscapeHorrorLand.com.
This time, Luke and Lizzy are prepared to face any danger--and any villain. Or so they thought...
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