Great Directors: Volume 1 (Dersu Uzala / The Mirror / Les Bonnes Femmes / Il Grido / Circle of Deceit) (5D)
- GREAT DIRECTORS VOL. 1 (DVD MOVIE)
All filmmakers receive at least a one-page entry, which includes discussion of their work and influences, their complete filmography, and listing of awards they have received. Seventy-five directors of special importance are profiled in larger entries--two-page spreads--while 15 internationally acknowledged master directors are discussed and examined in two double-page spreads. Here is a comprehensive survey of the creative imaginations behind more than a hundred years of filmmaking. It's a wonderful book for browsing, for reference, and for gaining insights into the personalities who directed the most memorable movies ever made.AKIRA KUROSAWA
ANDREI TARKOVSKY
CLAUDE CHABROL
MICHELANGELO ANTONIONI
VOLKER SCHLONDORFF
Akira Kurosawa s DERSU UZALA (1975, Color, 140 Minutes, Letterboxed) Winner of the 1975 Academy Award fo! r Best Foreign Language Film, this Kurosawa epic is a Siberian! adventu re that features stunningly photographed battles of man dueling nature.
Andrei Tarkovsky s THE MIRROR (1974, Color/B&W, 106 Minutes, Full Frame) Tarkovsky s most personal (and beautiful) work, The Mirror delves into his childhood to conjure up a stream of sublime images that reflect a WWII-scarred youth and a haunted future.
Claude Chabrol s LES BONNES FEMMES (1960, B&W, 93 Minutes, Letterboxed) One of the most erotic and suspenseful treats of the French New Wave, this Chabrol-helmed classic tracks the loves and stalkers of four pretty shopgirls who soon discover the dark side of passion.
Michelangelo Antonioni s IL GRIDO (1957, B&W, 115 Minutes, Full Frame) One of Antonioni s unsung masterpieces, Il Grido is a wrenchingly bittersweet tale of lost love replaced by lust, achieving a tragic poetry unequaled in the great director s illustrious career.
Volker Schlondorff s CIRCLE OF DECEIT (1981, Color, 108 Minutes, Letterboxed) This explosive tale of! sex and politics in war-torn Beirut is one of the richest films in Schlöndorff s career. Setting up a minefield of ethical conundrums and personal jealousies, it s a scorching take on the modern media.