Wednesday, November 9, 2011

Philips All Region Multi Region Code Free Zone Free Hi-Def 1080p Up-Converting DVD Player with Divx, USB. Plays PAL/NTSC DVD's (Free TAMZ HDMI Cable Exclusive From PVCS) - 110-220 Volts For Worldwide Use - (Free LiteFuze Europe Plug Adapter)

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Golden Globe winner and Academy Award nominee Natalie Portman (Closer, V for Vendetta) stars as Rebecca, an American living in Jerusalem who moments after breaking off her engagement, jumps into a cab driven by Hanna, a strong-willed, charismatic Israeli woman. Hanna is on her way to Jordan, to an ungoverned e! conomic free zone of shady business transactions bordered by Syria, Iraq and Saudi Arabia.

Looking for a quick "escape", Rebecca convinces Hanna to take her along and the two set off to see "the American," a mysterious businessman that owes Hanna's husband money. But when Hanna and Rebecca reach his office, they are confronted by Leila, a Palestinian who tells Hanna that "the American" and the money are missing.

Determined not to leave the Free Zone without her husband's debt paid, Hanna forces Leila to join her - with Rebecca tagging along - and the three woman begin their search. Soon the relationship between them turns into an emotional solidarity that will affect each of their lives forever.An ambitious film with both political and emotional agendas, Free Zone stars Natalie Portman as an American woman living in Jerusalem whose quest for adventure and escape leads to serious consequences. Rebecca (Portman), newlyt broken up with her fianc! é, has a chance encounter with a cab driver named Hanna (play! ed by Ha nna Laslo, who won best actress at the Cannes Film Festival for her work in this film) finds Rebecca accompanying her to the Free Zone--a tax-free area in northeast Jordan--so Hanna can collect money from a businessman who owes her husband. Instead of finding the businessman, they encounter a mysterious Palestinian woman who joins them on their journey. It would be too easy to write this film off as a politically tinged Thelma & Louise. As the women argue about Israeli-Palestinian issues, we sense that there is imminent danger. And that suspense ultimately carries more impact than the dialogue, which is well intentioned but often misguided. Portman is gorgeous and does a fine job emoting (and crying), but this is really Laslo's movie. Appropriately passionate and stoic, she adds dignity (and at times humor) to a film that is thought provoking, but flawed. --Jae-Ha KimDVD Player with 1080p HDMI Upscaling and Multimedia DivX gives you sharper, clear pictures and ! the Progressive Scan doubles the vertical resolution of the image resulting in a noticeably sharper picture. Whatever you're watching, and on any TV, Screen Fit ensures that the picture fills the whole screen. And it includes DivX media format that is an MPEG-4 based video compression technology enabling you to save large files like movies, trailers and music videos on media like CD-R/RW and DVD recordable disc for playback on your DivX Ultra Certified Philips device. DivX Ultra combines DivX playback with great features like integrated subtitles, multiple audio languages, multiple tracks and menus into one convenient file format.

Doubt (movie tie-in edition)

  • ISBN13: 9781559363471
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Miramax Films comes one of the most honored and acclaimed motion pictures of the year, Doubt. Based on the Pulitzer Prize and Tony Award-winning play, Doubt is a mesmerizing, suspense-filled drama with four riveting performances from Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis that will have you pinned to the edge of your seat. Sister Aloysius Beauvier (Streep), the rigid and fear-inspiring principal of the Saint Nicholas Church School, suffers an extreme dislike for the progressive and popular parish priest Father Flynn (Hoffman). Looking for wrongdoing in every corner, Sister Aloysius believes she's uncovered the ultimate sin when she hears Father Flynn has taken a special in! terest in a troubled boy. But without proof, the only thing certain is doubt.

"One of the best pictures of the year," (USA Today, Rolling Stone, New York Post, San Francisco Examiner, Roger Ebert).

Bonus Features include From Stage To Screen, Scoring Doubt, The Sisters Of CharityIt's always a risk when writers direct their own work, since some playwrights don't travel well from stage to screen. Aided by Roger Deakins, of No Country for Old Men fame, who vividly captures the look of a blustery Bronx winter, Moonstruck's John Patrick Shanley pulls it off. If Doubt makes for a dialogue-heavy experience, like The Crucible and 12 Angry Men, the words and ideas are never dull, and a consummate cast makes each one count. Set in 1964 and loosely inspired by actual events, Shanley focuses on St. Nicholas, a Catholic primary school that has accepted its first African-American student, Donald Miller (Joseph Foster), who serves! as altar boy to the warm-hearted Father Flynn (Phillip Seymou! r Hoffma n). Donald may not have any friends, but that doesn't worry his mother, Mrs. Miller (Viola Davis in a scene-stealing performance), since her sole concern is that her son gets a good education. When Sister James (Amy Adams) notices Flynn concentrating more of his attentions on Miller than the other boys, she mentions the matter to Sister Aloysius Beauvier (Meryl Streep), the school's hard-nosed principal. Looking for any excuse to push the progressive priest out of her tradition-minded institution, Sister Aloysius sets out to destroy him, and if that means ruining Donald's future in the process--so be it. Naturally, she's the least sympathetic combatant in this battle, but Streep invests her disciplinarian with wit and unexpected flashes of empathy. Of all the characters she's played, Sister Aloysius comes closest to caricature, but she never feels like a cartoon; just a sad woman willing to do anything to hold onto what little she has before the forces of change render her--! and everything she represents--redundant. --Kathleen C. Fennessy


Stills from Doubt (Click for larger image)



 







Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prizeâ€"winning play.

“The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.”â€"Terry Teachout, The Wall Street Journal

“A breathtaking work of immense proportion. Positively brilliant.”â€"Melissa Rose Bernardo, ! Entertainment Weekly

“#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is a lean, potent drama . . . passionate, exquisite, important and engrossing.”â€"Linda Winer, Newsday

John Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for b! est original screenplay.


Edge of Darkness

Becoming Jane [Blu-ray]

  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, Subtitled, Widescreen
  • Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
  • Aspect Ratio: 2.35:1
  • Run Time: 120 minutes
  • Actors: Guy Carleton, Philip Culhane, Joe Anderson (VI), Michael James Ford, Jessica Ashworth
Anne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel ! Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's! James McAvoy), while he's staying with relatives in rural! Hampshi re. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. FennessyStudio: Echo Bridge Home Ent Release Date: 04/12/2011 Run time: 120 minutes Rating: PgLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Tee! th) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Hampshire. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outs! poken young lady just as much as Wisley's aunt (Maggie Smith, ! lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. FennessyAnne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane s dream of doing the unthinkable marrying for love. Becoming ! Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Ham! pshire. As in many Austen novels, it isn't love at first sight! --but ra ther irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. Fennessy

Hard Boiled (Two-Disc Ultimate Edition)

Ballast

  • BALLAST (DVD MOVIE)
SUNDANCE FILM FESTIVAL
WINNER: BEST DIRECTOR / BEST CINEMATOGRAPHY
NOMINATED: GRAND JURY PRIZE
INDEPENDENT SPIRIT AWARDS (6 NOMINATIONS)
BEST FEATURE / BEST DIRECTOR / BEST FEMALE LEAD / BEST SUPPORTING MALE / FIRST SCREENPLAY / BEST CINEMATOGRAPHY
NAACP IMAGE AWARD
NOMINATED: OUTSTANDING INDEPENDENT MOTION PICTURE
GOTHAM AWARDS
WINNER: BREAKTHROUGH DIRECTOR
NOMINATED: BEST FILM / BEST ENSEMBLE CAST / BREAKTHROUGH ACTOR
TORONTO FILM FESTIVAL
WINNER: TFCA AWARD (BEST FIRST FEATURE)
BERLIN FILM FESTIVAL
NOMINATED: GOLDEN BEAR AWARD (BEST FEATURE FILM)

A double prize winner at the Sundance Film Festival and one of the most critically acclaimed films of 2008, Ballast is a stunningly evocative story of personal catastrophe and communal redemption. In the cold winter light of the Mississippi Delta, three lonely people stumble under t! he weight of a shared tragedy. Lawrence (Micheal J. Smith, Sr.) is paralyzed with grief after the loss of his twin brother. Twelve-year-old James (Jim Myron Ross) drifts into the perilous orbit of local teenagers while his single mother, Marlee (Tarra Riggs), is too exhausted from her menial job to interpret the clues. When sudden violence forces mother and son to flee their home in the night, they alight desperately on Lawrence s property. Though this provides safe harbor, it rekindles the fury of a bitter, longstanding conflict. Writer-director Lance Hammer and his gifted cast of local, non-professional actors have created an unflinching, profoundly humane story of lost souls forced by circumstance to seek solace in the most unlikely of places.

SPECIAL FEATURES:
- Director supervised high-definition digital transfer from the 35mm interpositive.
- Ballast Scene Development - A 37-minute making-of feature charting the evolution of several scenes through the im! provisational conflict sessions and two-month rehearsal proces! s that g ave form to the final film.
- Original theatrical trailer.
- Optional English, French and Spanish subtitles.
- A new essay by film critic Amy Taubin.

BEAUTIFUL NEW WOODEN SHOE BENCH

  • (1) 35.5' x 13" x 18"H
An epic story, exotic locales and electrifying performances from Bai Ling (Sky Captain and The World of Tomorrow), Tim Roth (Dark Water) and Nick Nolte (Hotel Rwanda) highlight this moving film that celebrates the power of the human spirit. Raised as an orphan, Binh (Damien Nguyen) is a young Vietnamese man with one impossible dream: to be reunited with his birth father, an American G.I. who left without a trace. In an incredible odyssey that stretches from Saigon to New York to Texas, Binh confronts unimaginable hardships as he finds danger, love and, finally, the key to unlocking the mysteries of his past.A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred an! d the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longin! g, patriotism, and dissent; we are also reminded of the grace ! residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.! 2000 single release from Scottish electronica duo. Highly recommended for fans of Air, Kruder & Dorfmeister, etc.. B.O.C. and Broadcast are probably the only two melodic electronic bands signed to Warp Records. Tracks, 'Kid For Today', 'Amo Bishop Roden', 'In A Beautiful Place Out In The Country' & 'Zoetrope'. Standard jewel case.Country Living is your guide to creating the ultimate in country style. Each issue offers inspirational ideas on:Decorating & Remodeling, Antiques & Collecting, Gardening & Landscaping, Entertaining & Travel.NEW WOODEN SHOE BENCH

Hellboy 2 The Golden Army 13 Inch Deluxe Action Figure Angel of Death

  • Made by Mezco in 2008
  • Size: 8.5 inch
  • For ages 8+
HELLBOY II:GOLDEN ARMY - Blu-Ray MovieThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself str! uck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image)














Studio: Uni Dist Corp. (mca) Release Date: 11/11/2008 Run time: 120 minutes Rating: Pg13 The feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can bu! rst into flames at will, is going through a rocky stage observ! ed by Re d's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image)












Genre: Action/Adventure
Rating: PG13
Release Date: 11-NOV-2008
Media Type: DVDThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfrien! d Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Arm! y (Click for larger image)











After an ancient truce existing between humankind and the invisible realm of the fantastic is broken, hell on Earth is ready to erupt. A ruthless leader who treads the world above and the one below defies his bloodline and awakens an unstoppable army of creatures. Now, it's up to the planet's toughest, roughest superhero to battle the merciless dictator and his marauders. He may be red. He may be horned. He may be misunderstood. But when you need the job done right, it's time to call Hellboy. Along with his expanding team in the Bureau for Paranormal Research and Defense - pyrotechnic girlfriend Liz Sherman, aquatic empathy Abe Sapien, and protoplasmic mysti! c Johann - the BPRD will travel between the surface strata and! the uns een magical one, where creatures of fantasy become corporeal. And Hellboy, a creature of two worlds who's accepted by neither, must choose between the life he knows and an unknown destiny that beckons him.Soundtrack to Hellboy II -The Golden Army with music by the multi talented Danny Elfman. To match the fury, Danny Elfman again flexes his superhero symphonic muscle to follow in the grand tradition of Batman, Spider-Man and Men In Black. With a signature blend of action, humor and character-based spectacle, the saga of the world's toughest, kitten-loving hero from Hell continues to unfold in Hellboy 2: The Golden Army. Bigger muscle, badder weapons and more ungodly villains arrive in an epic vision of imagination from Oscar-nominated director Guillermo del Toro (Pan's Labyrinth, Hellboy).From the mind of visionary director Guillermo del Toro, this hauntingly designed 13" tall deluxe figure features an eyeless face, razor-sharp teeth, and poseable, eye-adorned wings that sp! an approximately 10"! Intricately sculpted with a remarkable attention to detail, a must-have collectible for every Hellboy fan. Window box packaging.
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