Saturday, December 31, 2011

Brother Bear (Two-Disc Special Edition)

  • Disney proudly presents BROTHER BEAR, an epic animated adventure full of comedy and heart. With five great new songs from Academy Award winner Phil Collins (1999 Best Original Song, "You'll Be In My Heart," from TARZAN(R)), it's "pure Disney magic from beginning to end!" raves Clay Smith of Access Hollywood. When an impulsive boy named Kenai is magically transformed into a bear, he must li
Disney proudly presents BROTHER BEAR, an epic animated adventure full of comedy and heart. With five great new songs from Academy Award winner Phil Collins (1999 Best Original Song, "You'll Be In My Heart," from TARZAN(R)), it's "pure Disney magic from beginning to end!" raves Clay Smith of Access Hollywood. When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey in! troduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths, rambunctious rams, and more! BROTHER BEAR is "a charming, enchanting story for kids of all ages!" ( Larry King, CNN)Brother Bear has a dramatic story--after he kills a bear, a young hunter named Kenai (voiced by Joaquin Phoenix, Gladiator) in prehistoric North America is turned into a bear himself and hunted by his own brother--but the animated movie's tone is more earnest and warm than tragic, focusing on the unfolding relationship between Kenai and an orphaned bear cub named Koda (voiced by Jeremy Suarez). However, it's often the comic supporting characters who prove the most popular, and a pair of moose voiced by Rick Moranis and Doug Thomas in their McKenzie brothers/Canadian dude mode (from SCTV and the movie Strange Brew) will win many fans. The songs by Phil Collins are typically negligible, but the hand-drawn ani! mation is lush (occasional flashes of computer-generated anima! tion cla sh with the movie's overall look). Kids will also enjoy the mammoths; no sabre-toothed tigers, unfortunately. --Bret Fetzer

Eagle vs Shark Movie Poster (27 x 40 Inches - 69cm x 102cm) (2007) -(Loren Horsley)(Jemaine Clement)(Craig Hall)(Rachel House)(Brian Sergent)(Joel Tobeck)

  • Eagle vs Shark Poster (27 x 40 Inches - 69cm x 102cm)
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Full Size Movie Poster; Same Size That You See In The Theater
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Miramax Films presents the wickedly offbeat love story, Eagle vs Shark, a funny, fractured romance between two total misfits woven into an all-consuming quest for revenge and shot through with the strange, sweet hilarity of the human condition. When Lily (Horsley), a lonely, oddball fast-food waitress and hopeless romantic, and Jarrod (Clement), another lonely oddball and video game clerk who has spent the last decade plotting revenge against a bully from high school, connect at a dress as your favorite animal party, it s! a match seemingly made in outcast Heaven. But when Lily decides to risk everything for love, her hopes are nearly dashed as, after a brief fling, Jarrod dumps her because he s too busy training for his all-important payback mission. But neither of them can anticipate the grit the steadfastly optimistic Lily will show in her heartbreak. As Jarrod's day of reckoning arrives and everything hits the fan, Jarrod and Lily will find something that goes beyond romantic fantasies and revenge faith in who they are.Since the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo! since Javier Bardem's pageboy in No Country for Old Men, the v ideo-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. Anderson's Punch-Drunk Love, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird cha! rm of Waititi's first feature. --Kathleen C. FennessySince the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo since Javier Bardem's pageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. And! erson's Punch-Drunk Love, Jarrod has a dark side. Not o! nly is h e a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird charm of Waititi's first feature. --Kathleen C. FennessyGolden Globe(r) winner* John Travolta leads an all-star cast in the hysterical comedy thatTime calls "smart, shrewdly crafted [and] hilarious!" Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept! into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito), romances B-movie queen Karen Flores (Rene Russo) and even gets reservations at the hottest restaurants intown. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglersand the angry mobster who won't leave him alone! *1996: Actor (Comedy)Get ShortyHailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny D! eVito), and also finds time to deal with a vengeful Mobster (D! ennis Fa rina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff ShannonSoundtrack to the acclaimed film starring Jermaine Clement (one half of Flight Of The Conchords) and written and directed by Oscar-nominated New Zealander Taika Waititi. The album features an original score written by Wellington band The Phoenix Foundation, who contributed seven songs (including 'Hitchcock' and 'Seaworld' from their second album Pegasus), three score pieces, as well as two songs from Phoenix Foundation member Luke Buda's solo albums. Also included are tracks from prominent New Zealand artists Age Pryor, The Reduction Agents and Tessa Rain as well as international acts The Stone Roses and M. Ward. Hollywood Records.Eagle vs Shark Pos! ter (27 x 40 Inches - 69cm x 102cm) (2007) reproduction poster print

CAST: Loren Horsley, Jemaine Clement, Craig Hall, Rachel House, Brian Sergent, Joel Tobeck, Jackie van Beek; DIRECTED BY: Taika Cohen;

Donkey Punch [Unrated]

Dreamgirls (Widescreen Edition)

  • Actors: Jamie Foxx, Eddie Murphy, Jennifer Hudson, Beyoncé Knowles.
  • Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), French (Dolby Digital 5.1).
  • Region: Region 1 (U.S. and Canada only).
  • DVD Release Date: May 1, 2007. Run Time: 130 minutes.
Director Bill Condon brings Tom Eyen's Tony award-winning Broadway musical to the big screen in a tale of dreams, stardom, and the high cost of success in the cutthroat recording industry. The time is the 1960s, and singers Effie (Jennifer Hudson), Lorrell (Anika Noni Rose), and Deena (Beyoncé Knowles) are about to find out just what it's like to have their wildest dreams come true. Discovered at a local talent show by ambitious manager Curtis Taylor Jr. (Jamie Foxx), the trio known as "the Dreamettes" is soon offered the once-! in-a-lifetime opportunity of opening for popular singer James "Thunder" Early (Eddie Murphy). Subsequently molded into an unstoppable hit machine by Taylor and propelled into the spotlight as "the Dreams," the girls quickly find their bid for the big time taking priority over personal friendship as Taylor edges out the ultra-talented Effie so that the more beautiful Deena can become the face of the group. Now, as the crossover act continues to dominate the airwaves, the small-town girls with big-city dreams slowly begin to realize that the true cost of fame may be higher than any of them ever anticipated.The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centers around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to ! the meteoric rise of the Supremes, and despite any protests to! the con trary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.

Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it receive! d eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral ! character surprisingly vibrant; only Foxx, who never gets to p! our on t he charisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart


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