Friday, November 4, 2011

How to lose friends and alienate people ~ MOVIE POSTER 11"x 17"

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HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especia! lly when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon ! Carter; by Gillian Anderson, as a take-no-prisoners publicist;! and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyUK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and not viewable on US PS3/standard Blu-Ray players. The main feature is viewable on all players however.How to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simp! ly hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, t! oo, by editor Jeff Bridges, whose enthrallment to the power el! ite, and silver mane, channel Graydon Carter; by Gillian Anderson, as a take-no-prisoners publicist; and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyThe movie tie-in edition of Toby Young's bestselling memoir of self-sabotage at Vanity Fair.

With a major motion picture of How to Lose Friends and Alienate People about to be released (starring Simon Pegg, Kirsten Dunst, and Jeff Bridges), there has never been a better time to savor this laugh-out-loud memoir from everyone's favorite "professional failurist." In his dishy assault on New York's A-list, How to Lose Friends and Alienate People, Toby Young lands a job at Vanity Fair--and proceeds to work his way down Manhattan's food chain.You'll Never Eat Lunch in This Town Again meets The Bonfire of the Vanities, as told by...a male Bridget Jones? And it all really happ! ened.
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." (USA Today! )You'll Never Eat Lunch in This Town Again meets The Bon fire of the Vanities, as told by...a male Bridget Jones? And it all really happened.
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose F! riends and Alienate People is also a "nastily funny read." (USA Today)Boasting a brand new previously unreleased song by platinum-selling Mercury Records artist Duffy as its opening track, "Enough Love," the original motion picture soundtrack album for How To Lose Friends & Alienate People will arrive in the digital marketplace on September 30th and at physical retail outlets on October 14th via Mercury Records. In between, on Friday October 3rd, How To Lose Friends & Alienate People will open in theaters nationwide, distrib­uted by MGM Pictures.

In addition to Duffy, the soundtrack album will include "For Reasons Unknown" by the Killers (a track from their album Sam's Town). The soundtrack is a potpourri of U.S., UK and Euro selections by Dusty Springfield, the Kinks, Motörhead, Joey Ramone, Scissor Sisters, Electrovamp, MGMT, and others. There also several tracks by noted film score composer David Arnold of James Bond fame (Tomorrow Never Dies, Die Ano! ther Day, Casino Royale). The soundtrack finale is legendary I! talian f ilm composer Nino Rota's classic theme from 1960's La Dolce Vita. (Please see soundtrack album sequence below.)

One of the most eagerly awaited comedies of the fall season, the film stars Simon Pegg (Hot Fuzz, Shaun of the Dead) and is based on the best­selling memoir written by Toby Young. It tells the often hilarious story of a bumbling British celebrity journalist's move from London to New York to become a contributing editor at a highly prestigious magazine.

How To Lose Friends & Alienate People also stars Kirsten Dunst (Spider-Man, Eternal Sunshine of a Spot­less Mind, Bring It On), Danny Huston (The Constant Gardener, 30 Days of Night), Gillian Anderson (The X-Files, The Last King of Scotland), Megan Fox (Trans­formers), Max Minghella (Hippie Hippie Shake), and Jeff Bridges (The Big Lebowski, Sea­bis­cuit). The movie was directed by Oscar® nominated Robert Weide (Curb Your Enthusiasm), and produced by Oscar® nominated Stephen Woolley (The Crying Ga! me) and Elizabeth Karlsen.Brand New Product

Dogville

  • DVD Details: Actors: Nicole Kidman, Harriet Andersson, Lauren Bacall, Jean-Marc Barr, Paul Bettany
  • Directors: Lars von Trier
  • Format: Closed-captioned, Color, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: August 24, 2004; Run Time: 178 minutes
Recording star bjork is miraculous as selma a factory worker in ruarl america and single mother who is losing her eyesight from a hereditary disease. Determined to protect her 10-year-old son from the same fate selma is saving her money to get him an operation. Studio: New Line Home Video Release Date: 02/08/2005 Starring: Catherine Deneuve David Morse Run time: 141 minutes Rating: R Director: Lars Von TrierMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were tho! se who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a l! oan, she refuses, but he later returns and steals the money, w! hich she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?

Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseDOGVILLE - DVD MovieThe latest galvanizing and controversial film from Lars von Trier (Dancer in the Dark, Breaking the Waves, The Kingdom), Dogville uses ingenious theatricality to tell the Depression-era story of Grace (Nicole Kidman, The Others), a beautiful fugitive who stumbles onto a tiny town ! in the Rocky Mountains. Spurred on by Tom (Paul Bettany, Master and Commander), who fancies himself the town's moral guide, the citizens of Dogville first resist Grace, then embrace her, then resent and torment her--little realizing they will pay a price for their selfish brutality. The town is indicated by fragments of building and chalk outlines on a soundstage floor, stylishly pointing to the movie's roots in classic plays (particularly Thornton Wilder's Our Town and Friedrich Durrenmatt's The Visit). Several critics have stridently attacked Dogville as anti-American, but the movie's dark, compelling view applies as easily to Rwanda, Bosnia, the Middle East, or pretty much anywhere in the world. Also featuring Lauren Bacall, Patricia Clarkson, Jeremy Davies, Stellan Skarsgârd, Chloe Sevigny, and many more. --Bret Fetzer

Humble Pie

  • It's hard not to like Tracy Orbison (Hubbel Palmer). A dopey Midwestern guy who excels as a food-stocking professional. Tracy politely and passively passes his days scribbling poems in a note book during shift breaks and day-dreaming of making something more of himself. Although there is already a lot more of him than some think necessary. In a blinding moment of enlightenment, he enrolls in an ac
Everyone thinks they know the real Gordon Ramsay: rude, loud, driven, stubborn. But this is his real story! In this fast-paced, bite-sized edition of his bestselling autobiography Ramsay tells the real story of how he became the world's most famous and infamous chef: his difficult childhood, his brother's heroin addiction, his failed first career as a footballer, his fanatical pursuit of gastronomic perfection and his TV persona - all the things that have made him the celebrated culinary talent and! media powerhouse that he is today. Gordon talks frankly about: / his tough childhood: his father's alcoholism and violence and the effects on his relationships with his mother and siblings / his first career as a footballer: how the whole family moved to Scotland when he was signed by Glasgow Rangers at the age of fifteen, and how he coped when his career was over due to injury just three years later / his brother's heroin addiction. / Gordon's early career: learning his trade in Paris and London; how his career developed from there: his time in Paris under Albert Roux and his seven Michelin-starred restaurants. / kitchen life: Gordon spills the beans about life behind the kitchen door, and how a restaurant kitchen is run in Anthony Bourdain-style. / and how he copes with the impact of fame on himself and his family: his television career, the rapacious tabloids, and his own drive for success.Only Theo's grandmother sees the truth about the boy: He's as spoiled as a ! rotten old apple!

That is why, on one of Theo's naughtiest! , grabbi est, mouthiest days, Grandmother decides to bake him a pie.

Young Theo has never seen the like. Its crust is as big as a bedsheet; its filling of plums, cherries, peaches, pears, apples, and quince is as tempting as any sweet feast ever set before a boy. But when he greedily reaches out for a taste, little Theo bites off a lot more than he can chew!

Jennifer Donnelly's wise and funny tale has inspired pictures of modern-day wit and medieval charm from a master of artistic antics, Stephen Gammell.Its hard not to like Tracy Orbison (Hubbel Palmer). A dopey Midwestern guy who excels as a food-stocking professional, Tracy politely and passively passes his days scribbling poems in a notebook during shift breaks and day-dreaming of making something more of himself. Although there is already a lot more of him than some think necessary.

In a blinding moment of enlightenment, he enrolls in an acting class taught by a pompous Z-list has-been (played by a hilarious Willi! am Baldwin). Things dont quite go according to plan, as a tragically comical chain of mishaps leads Tracy to take a more active role in his life by mentoring a young thug while fending off his obnoxious mother (Academy Award Nominee Kathleen Quinlan) and indifferent sister (Mary Lynn Rajskub, Julie & Julia, FOXs 24), all the while awkwardly attempting to conquer the elusive drivers exam and trying to lose about ten pounds.

A different kind of everyman, Tracy Orbison reminds us that the caution light flashes even while chasing our dreams.

Endurance: A Novel of Terror

  • ISBN13: 9781453885680
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
'Sir Ernest Shackleton and his crew make today's hightech adventurers look like dilettantes. Their interminable voyage across frozen land and open sea is one of the most harrowing survival stories of all time.' Sebastian Junger, author of the bestselling The Perfect Storm. In 1914 Sir Ernest Shackleton and a crew of 27 men set sail for the South Atlantic on board the Endurance. The object of the expedition was to cross the Antarctic overland. In October 1915, still half a continent away from their intended base, the ship was trapped, then crushed in ice. For seventeen months Shackleton and his men, drifting on ice packs and then on the stormiest seas on the globe, were castaways in this most savage re! gion of the world. Frank Hurley, the photographer of the expedition, documented their struggles, miraculously saving his negatives and photographs from destruction at each stage of their journey. His photographs illustrate the dramatic, terrible beauty of the lands with which they were contending. They also provide an unsurpassable insight into the extraordinary spirit of Shackleton and his crew, and their extraordinary indefatigability and lasting civility towards one another in the most adverse conditions. Lansing's gripping narrative, based on firsthand accounts of crew members and interviews with survivors, vividly describes how the men lived together in camps on the ice until they reached land, how they were attacked by sea leopards, ate sea lion and polar bear, developed frostbite (an operation to amputate the foot of one member of the crew was carried out on the ice), and finally embarked on a 850-mile voyage in a 22-foot open lifeboat to find help.WELCOME TO THE R! USHMORE INN

The bed and breakfast was hidden in the! hills o f West Virginia. Wary guests wondered how it could stay in business at such a creepy, remote location. Especially with its bizarre, presidential decor and eccentric proprietor.

ONCE YOU CHECK IN...

When the event hotel for the national Iron Woman triathlon accidentally overbooked, competitor Maria was forced to stay at the Rushmore. But after checking into her room, she quickly realized she wasn't alone. First her suitcase wasn't where she put it. Then her cell phone was moved. Finally, she heard an odd creaking under the bed. Confusion quickly turned to fear, and fear to hysteria when she discovered the front door was barred and the windows were bricked over. There was no way out.

...YOU'LL BE DYING TO LEAVE

One year later, four new female athletes have become guests of the Inn. Will they escape the horrors within its walls? Or will they join the many others who have died there, in ways too terrible to imagine?

ENDURANC! E by Jack Kilborn
Are you brave enough to finish?


A Word of Warning:

Originally scheduled to be released in paperback in 2010, the publisher read the final version of the manuscript and refused to release it.

This is a disturbing, terrifying book. You may think you're brave enough to handle it. But you're probably not...

Thursday, November 3, 2011

Muscletech Nitro-tech Hardcore Pro, Chocolate Milkshake, 4-Pound

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A hilarious rockumentary in the laugh-packed tradition of THIS IS SPINAL TAP -- critics everywhere are howling the praises of HARD CORE LOGO! The punk rock band Hard Core Logo is back -- reunited and hitting the road on a last-gasp tour across the western part of the nation. As magnetic lead singer Joe Dick holds the whole tour together through sheer force of will, all the tensions and pitfalls of the rock 'n' roll lifestyle come bursting hilariously to the surface! Featuring a memorable appearance by punk rock legend Joey Ramone of The! Ramones -- settle in and enjoy this offbeat comedy as it really cranks up the laughs!Hard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Core Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only because he expects to be joining a much more successful rock group very shortly and sees! this as a favor to Dick. As they travel from town to town, th! eir rela tionship unravels, as does the psyche of bass player John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into production in February 2010. Michael Turner's other novels include The Pornographer's Poe! m (Soft Skull Press).

Hard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Core Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only because he expects to be joining a much more successful rock group very shortly and sees this as a favor to Dick. As they travel from town ! to town, their relationship unravels, as does the psyche of ba! ss playe r John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer Filmmaker Bruce McDonald's adaptation of Michael Turner's novel Hard Core Logo is about a fictitious Canadian punk band's reunion tour through the great North. Times have changed since the great punk era of the late '70s. Two decades later the music is still high-energy, but the folks playing it are a bit long in the tooth and out to prove otherwise. The music is provided by Hugh Dillon and Swamp Baby, who deliver punk fare such as the accusatory "Who the Hell Do You Think You Are?," the obvious "Rock 'n' Roll Is Fat and Ugly," and the drug-infested "China White (Ten Dollar F**k)." A take on the Dead Boys' "Sonic Reducer" lacks the focus of the o! riginal, but the inclusion of the Ramones ("Touring"), Teenage Head ("Bonerack"), and Chris Spedding ("Wild Wild Women") adds a touch of authenticity. --Rob O'ConnorHard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Core Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only be! cause he expects to be joining a much more successful rock gro! up very shortly and sees this as a favor to Dick. As they travel from town to town, their relationship unravels, as does the psyche of bass player John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into produc! tion in February 2010. Michael Turner's other novels include The Pornographer's Poem (Soft Skull Press).

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into production in February 2010. Michael Turner's other novels include The Pornographer's Poem (Soft Skull Press).

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Breakfast of Champions: A Novel

  • ISBN13: 9780385334204
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In Breakfast of Champions, one of Kurt Vonnegut’s  most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth."We are healthy only to the extent that our ideas are humane." So reads the tombstone of downtrodden writer Kilgore Trout, but we have no doubt who's really talking: his alter ego Kurt Vonnegut. Health versus sickness, humanity versus inhumanity--both sets of ideas bounce through this challenging and funny book. As with the rest of Vonnegut's pure! fantasy, it lacks the shimmering, fact-fueled rage that illuminates Slaughterhouse-Five. At the same time, that makes this book perhaps more enjoyable to read.

Breakfast of Champions is a slippery, lucid, bleakly humorous jaunt through (sick? inhumane?) America circa 1973, with Vonnegut acting as our Virgil-like companion. The book follows its main character, auto-dealing solid-citizen Dwayne Hoover, down into madness, a condition brought on by the work of the aforementioned Kilgore Trout. As Dwayne cracks, then crumbles, Breakfast of Champions coolly shows the effects his dementia has on the web of characters surrounding him. It's not much of a plot, but it's enough for Vonnegut to air unique opinions on America, sex, war, love, and all of his other pet topics--you know, the only ones that really count.

Full of It

DOA: Dead or Alive [Blu-ray]

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